INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma
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Language
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Photograph Details
No.22028
Digital Data Management Information
Digital Data File Name
04_18_003_cm.tif
Exif Information
Digital Image Metadata
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Date of Registration
2023-03-04 16:45:39
Latitude/Longitude
No Registration by Latitude/Longitude
AI tags
Art
Pattern
Drawing
Sketch
Ancient history
Textile
Relief
Design
Carving
Tapestry
Basic Information
Caption
キンナラ(ナンダミィンニャー(No.577))
Explanation
バガンの内陸部、ミンナントゥー村の北側にあるナンダミィンニャー寺院の北壁東側上部の壁画。寺院は東を正面とする。南・北・東に突出部をもち、それぞれアーチを形成している。そのアーチに到る壁面の端に柱が描かれており、その最上部、アーチの基部にキンナラとキンナリーが対となって描かれている。これはアーチに向かって右側のキンナラ図。キンナラは男性、キンナリーは女性であり、ヒマラヤに住み、美声といわれる。(JT)
Region of Photo
バガン
Location
ミャンマー連邦共和国
>
ナンダミィンニャー(No.577)
Period of Subject
13世紀
Date of Photo
1970年代後半
People
Object(s)
Survey Name
Public Availability
問題なし
Conditions for Public Use
Keywords
6×7 スリーブ(ポジ/カラー)
Basic Information in English
Caption
A Kinnara with crown and ear-rings (Nandamannya Temple (No.577))
Explanation
North wall, east side, upper part.
Location in English
Bagan
Location in local language
Location in local pronunciation
Period of Subject
13th Century
People
Object(s)
Additional Information
Associated Information in Japanese
『パガンの仏教壁画』pl.153/緊那羅/緊那羅■人間のような顔をしている場合と鳥のような顔をしている場合の二通りがみられる。いずれの場合も下半身は鳥であるのが緊那羅の特徴である。
Associated Information in Foreign Language(s)
Pagan no bukkyō hekiga, pl.153/ A semi-divine Kinnara, the upper part being human and the lower part being a bird/ Nandamannya Temple(No.577)
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)
Photo Management Information
Management Name
04_18_003_cm
Photographer
井上隆雄
Photographer (Romanization)
INOUE TAKAO