Photograph Details : INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma

No.21217

Digital Data Management Information

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Date of Registration: 2023-03-04 16:45:39

Latitude/Longitude

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AI tags

Basic Information

Caption: ジャータカの一場面（ティローカグル窟）
Explanation: チューラパローバナ・ジャータカ第263番からの一場面またはチャンペーッヤ・ジャータカ第506番からの一場面と思われる。前景と背景を分離する波状の区切り線や、奥行きがなく図柄の大きさの比率が無視され平面上に表現されており、ニャウンヤン時代初期の壁画の特徴が表れている。(CMG)
Region of Photo: ザガイン
Location: ミャンマー連邦共和国 > ティローカグル窟
Period of Subject: 1610～1620年頃、ニャウンヤン時代
Date of Photo: 1970年代後半
People
Object(s)
Survey Name
Public Availability: 問題なし
Conditions for Public Use

Keywords

6×7 マウント（ポジ/カラー）

Basic Information in English

Caption: Scene from the Cula Palobhama jātaka no. 263 or Campeyya jātaka no. 506/ (Tilawkaguru cave)
Explanation: The broad polylobed outline separating the foreground from the background, the scene composed on a single plane and the absence of depth and scale are characteristic of Nyaungyan's early murals. (CMG)
Location in English: Sagaing
Location in local language
Location in local pronunciation
Period of Subject: c. 1610-1620, Nyaungyan period
People
Object(s)

Additional Information

Associated Information in Japanese: 『パガンの仏教壁画』pl.243／本生譚の一場面、妃と王子とを山へ追放／ティローカグル窟院の本生図■目撃した男達を殺そうとして王子が追いかける場面と妾と一緒に王子が森へ追放された場面を示す。角張った顔、見開かれた眼と小さな黒目、団子鼻、男性の頬のふくらみなどは、ニャウンヤン時代の壁画の特徴を示す。
Associated Information in Foreign Language(s): Pagan no bukkyō hekiga, pl.243/ A scene from the Jātaka Tales. Expelling his concubine and prince to the mountain / Tilawkaguru Cave
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)

Photo Management Information

Management Name: 04_02_039_cm
Photographer: 井上隆雄
Photographer (Romanization): INOUE TAKAO