Photograph Details : INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma

No.20390

Digital Data Management Information

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Date of Registration: 2023-03-04 16:45:39

Latitude/Longitude

No Registration by Latitude/Longitude

AI tags

Basic Information

Caption: 寺院に供物を運ぶ在家信者たち（スーラーマニ寺院（No.748））
Explanation: 髪形と衣装はコンバウン時代の典型的なスタイルである。この壁画の主題は仏教説話ではなく当時の宗教活動の様子が描かれており革新的である。 (CMG)
Region of Photo: バガン
Location: ミャンマー連邦共和国 > スーラーマニ寺院（No.748）
Period of Subject: 19世記前半、コンバウン時代
Date of Photo: 1970年代後半
People
Object(s)
Survey Name
Public Availability: 問題なし
Conditions for Public Use

Keywords

6×7 スリーブ（ポジ/カラー）

Basic Information in English

Caption: Lay people carrying offerings to a temple/ (Sulamani temple, monument no. 748)
Explanation: Hairstyles and fashion are typical of the Konbaung period. The subject of this painting is not a Buddhist narrative but a local scene depicting religious activities at the time of the painters. This is a novelty. (CMG)
Location in English: Pagan
Location in local language
Location in local pronunciation
Period of Subject: First half of the 19th c., Konbaung period
People
Object(s)

Additional Information

Associated Information in Japanese: 『パガンの仏教壁画』pl.196／献上物を持って寺院へ向う行列／様々な寄進物を抱えて僧院に向う在家信者の行列■スーラーマニ寺院の壁画である。瓜実顔、二重瞼、細くすんなりした鼻、筒袖のついた裾の長い男性の上衣、両肩を覆って前に垂した女性の長い大きな肩かけ(ビルマ語スリャー)、地面をひきずるようなゆったりした下衣(男性のパソー、女性のタメイン)などは、この時代の特徴である。
Associated Information in Foreign Language(s): Pagan no bukkyō hekiga, pl.196/ A row of laymen and women holding arms to the Buddhist Temple/ Sulamani Temple(No.748）
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)

Photo Management Information

Management Name: 03_02_02_065_cm
Photographer: 井上隆雄
Photographer (Romanization): INOUE TAKAO