INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma
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Photograph Details
No.20282
Digital Data Management Information
Digital Data File Name
03_02_01_184_cm.tif
Exif Information
Digital Image Metadata
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Date of Registration
2023-03-04 16:45:39
Latitude/Longitude
No Registration by Latitude/Longitude
AI tags
Pattern
Art
Flooring
Textile
Design
Tapestry
Basic Information
Caption
仏足跡を崇拝する天人と梵天(タウンビー経庫(No.1969))
Explanation
上層には天人、下層には梵天が描かれている。宝冠から判別がつく。 (CMG)
Region of Photo
バガン
Location
ミャンマー連邦共和国
>
タウンビー経庫(No.1969)
Period of Subject
1705年、ニャウンヤン時代
Date of Photo
1970年代後半
People
Object(s)
Survey Name
Public Availability
問題なし
Conditions for Public Use
Keywords
6×7 スリーブ(ポジ/カラー)
Basic Information in English
Caption
Sakkas and brahmās venerating the Buddha's footprints/ (Taungbi Pitakat Taik, monument no. 1969)
Explanation
The sakkas on the upper row, and the brahmās on the lower row, are differentiated by their headgears. (CMG)
Location in English
Pagan
Location in local language
Location in local pronunciation
Period of Subject
1705, Nyaungyan period
People
Object(s)
Additional Information
Associated Information in Japanese
『パガンの仏教壁画』pl.208/仏足跡/タウンビー経庫(ビダガッタイ)の仏足跡■この経庫はタウンビー村の西のはずれにある煉瓦造りの経庫で、1706年に建造された事が内部の墨文から判明している。仏足跡は双足で、中央の千輻輪を囲み周囲に108の図柄が配置されている。図柄の配置順はパガン時代の場合と同じで、親指付け根の槍で始まり梵天界で終る。配列の仕方も右足の場合は右廻り、左足の場合は左廻りとなっている。仏足跡の周囲に描かれているのは王達で、地上に跪き両手に三角の小旗を持って合掌している。男性の頬のふくらみ、団子鼻、への字型の眉、半袖の貫頭衣などは、ニャウンヤン時代の壁画の特徴である。
Associated Information in Foreign Language(s)
Pagan no bukkyō hekiga, pl.208/ Buddha's foot-print / Pitakat(No.1969)
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)
Photo Management Information
Management Name
03_02_01_184_cm
Photographer
井上隆雄
Photographer (Romanization)
INOUE TAKAO