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No.23127

Digital Data Management Information

Digital Data File Name
05_01_41_003_cm.tif  
Exif Information
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Date of Registration
2023-03-04 16:45:39  

Latitude/Longitude

No Registration by Latitude/Longitude

AI tags
 

Basic Information

Caption
マハーニパータ以外のジャータカの一場面（アーナンダー煉瓦僧院（No.2162））
Explanation
日常生活の様子。 バガンの建造物番号2003、 2007、2121、2162の壁画 はシャムの技術の影響を多大に受け、画像、技術、様式において大きな変化をもたらした。(CMG)
Region of Photo
バガン
Location
ミャンマー連邦共和国 > アーナンダー煉瓦僧院（No.2162）
Period of Subject
1786～1787年頃、コンバウン時代
Date of Photo
1970年代後半
People
 
Object(s)
 
Survey Name
Public Availability
問題なし
Conditions for Public Use
 
Keywords
 

Basic Information in English

Caption
Scenes from a minor jātaka (jātakas 1 to 537)/ (Ananda Brick Monastery, monument no. 2162)
Explanation
Details of the daily life. The murals of monuments nos. 2003, 2007, 2121 and 2162 in Pagan represent a radical change in the iconography, technique and style following Siamese innovations. (CMG)
Location in English
Pagan
Location in local language
 
Location in local pronunciation
 
Period of Subject
c. 1786-1787, Konbaung period
People
 
Object(s)
 

Additional Information

Associated Information in Japanese
『パガンの仏教壁画』pl.196／献上物を持って寺院へ向う行列／様々な寄進物を抱えて僧院に向う在家信者の行列■スーラーマニ寺院の壁画である。瓜実顔、二重瞼、細くすんなりした鼻、筒袖のついた裾の長い男性の上衣、両肩を覆って前に垂した女性の長い大きな肩かけ(ビルマ語スリャー)、地面をひきずるようなゆったりした下衣(男性のパソー、女性のタメイン)などは、この時代の特徴である。
Associated Information in Foreign Language(s)
Pagan no bukkyō hekiga, pl.196/ A row of laymen and women holding alms to the Buddhist Temple/ Ananda Brick Monastery(No.2162)
Outline of World Cultures (OWC)
 
Outline of Cultural Materials (OCM)
 

Photo Management Information

Management Name
05_01_41_003_cm
Photographer
井上隆雄
Photographer (Romanization)
INOUE TAKAO