Scene from the Vessantara jātaka no. 547/ (Hlaung-oo Maw Pitakat Taik)
Explanation
While going in exile with his wife and their two children, Vessantara is giving his carriage to a brahman. These murals feature both Nyaungyan characteristics (hairstyles and facial features) and Konbaung characteristics inherited from Siamese painting (perspective, bird's-eye view). (CMG)