INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma
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Language
日本語
English
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Photograph Details
No.22704
Digital Data Management Information
Digital Data File Name
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Exif Information
Digital Image Metadata
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Date of Registration
2023-03-04 16:45:39
Latitude/Longitude
No Registration by Latitude/Longitude
AI tags
Art
Ancient history
Pattern
Carving
Relief
Tapestry
Archaeological site
Flooring
Stone carving
Textile
Basic Information
Caption
サーマリーと呼ばれる神話上の動物(アナンダ煉瓦僧院(No.2162))
Explanation
バガンの建造物番号2003、 2007、2121、2162の壁画 はシャムの技術の影響を多大に受け、画像、技術、様式において大きな変化をもたらした。(CMG)
Region of Photo
バガン
Location
ミャンマー連邦共和国
>
アーナンダー煉瓦僧院(No.2162)
Period of Subject
1786~1787年頃、コンバウン時代
Date of Photo
1970年代後半
People
Object(s)
Survey Name
Public Availability
問題なし
Conditions for Public Use
Keywords
6×7 スリーブ(ポジ/カラー)
Basic Information in English
Caption
Samari/ (Ananda Brick Monastery, monument no. 2162)
Explanation
The murals of monuments nos. 2003, 2007, 2121 and 2162 in Pagan represent a radical change in the iconography, technique and style following Siamese innovations. (CMG)
Location in English
Pagan
Location in local language
Location in local pronunciation
Period of Subject
c. 1786-1787, Konbaung period
People
Object(s)
Additional Information
Associated Information in Japanese
『パガンの仏教壁画』pl.252/魔迦羅/海の怪物摩迦羅■アーナンダ煉瓦寺院の画である。パガン時代の摩迦羅にくらべると、この摩迦羅はより原像に近い。摩迦羅は、もともと下半身が魚で、上半身は羚羊だとされる海の怪獣である。
Associated Information in Foreign Language(s)
Pagan no bukkyō hekiga, pl.252/ Fabulous marine monster Makāra/ Ananda Brick Monastery(No.2162)
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)
Photo Management Information
Management Name
05_01_19_006_cm
Photographer
井上隆雄
Photographer (Romanization)
INOUE TAKAO