INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma
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Photograph Details
No.21592
Digital Data Management Information
Digital Data File Name
04_05_050_cm.tif
Exif Information
Digital Image Metadata
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Date of Registration
2023-03-04 16:45:39
Latitude/Longitude
No Registration by Latitude/Longitude
AI tags
Art
Ancient history
Relief
Carving
Painting
Stone carving
Drawing
Mural
Tapestry
Sketch
Basic Information
Caption
過去仏の落飾図(ナンダミィンニャー(No.577))
Explanation
バガンの内陸部、ミンナントゥー村の北側にあるナンダミィンニャー寺院の北壁西側上部の壁画。寺院は東を正面とする。四方の壁面上部に過去仏の転法輪印坐像が列となって描かれ、その下部に過去仏の落飾図も列をなして描かれている。(JT)
Region of Photo
バガン
Location
ミャンマー連邦共和国
>
ナンダミィンニャー(No.577)
Period of Subject
13世紀
Date of Photo
1970年代後半
People
Object(s)
Survey Name
Public Availability
問題なし
Conditions for Public Use
Keywords
6×7 マウント(ポジ/カラー)
Basic Information in English
Caption
One of the Former Buddha's Tonsure (Nandamannya Temple (No.577))
Explanation
North wall, west side, upper part.
Location in English
Bagan
Location in local language
Location in local pronunciation
Period of Subject
13th Century
People
Object(s)
Additional Information
Associated Information in Japanese
『パガンの仏教壁画』pl.21/過去仏の落飾/過去仏の落飾■ナンダミンニャ寺院南北両壁面の上層に並ぶ過去二十八仏像の真下にある画。釈迦牟尼仏の落飾と違うのは、剣をもつ手が左右逆になっている事である。例えば、パトーダーミャー寺院北回廊外壁の悉達多太子の落飾図では、右手で剣を握り左手で支えた長い髪の束の根元に刃をあてている。ところがナンダミンニャ寺院の過去落飾図は、どの図も右手で髪の束を支え、左手で剣を握っている。つまりナンダミンニャ寺院の落飾図による限り過去仏はみな「左利き」であったという事になる。
Associated Information in Foreign Language(s)
Pagan no bukkyō hekiga, pl.21/ One of the Previous Buddha's Tonsure/ Nandamannya Temple(No.577)
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)
Photo Management Information
Management Name
04_05_050_cm
Photographer
井上隆雄
Photographer (Romanization)
INOUE TAKAO