Photograph Details : INOUE TAKAO photographic heritage: Buddhist Mural paintings from Ladakh and Burma

No.21128

Digital Data Management Information

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Date of Registration: 2023-03-04 16:45:39

Latitude/Longitude

No Registration by Latitude/Longitude

AI tags

Basic Information

Caption: 本尊の横に立っている二人の在家信者のうちの一人（王族？）（ウパーリ戒壇（No.2121））
Explanation: 向かって左の信者が供物の器を持っている。バガンの建造物番号2003、 2007、2121、2162の壁画はシャムの技術の影響を多大に受け、画像、技術、様式において大きな変化をもたらした。(CMG)
Region of Photo: バガン
Location: ミャンマー連邦共和国 > ウパーリ戒壇（No.2121）
Period of Subject: 1794年、コンバウン時代
Date of Photo: 1970年代後半
People
Object(s)
Survey Name
Public Availability: 問題なし
Conditions for Public Use

Keywords

6×7 マウント（ポジ/カラー）

Basic Information in English

Caption: Detail of one of the two standing devotees (a prince?) by the side of the main Buddha image/ (Upali Thein, monument no. 2121)
Explanation: The devotee is holding a container with an offering. The murals of monuments nos. 2003, 2007, 2121 and 2162 in Pagan represent a radical change in the iconography, technique and style following Siamese innovations. (CMG)
Location in English: Pagan
Location in local language
Location in local pronunciation
Period of Subject: 1794, Konbaung period
People
Object(s)

Additional Information

Associated Information in Japanese: 『パガンの仏教壁画』pl.249／櫃を抱える帝釈天／ウパーリ戒壇の帝釈天像■二重の瞼､大きな眼、真直ぐな鼻梁、幾らか厚い唇、風にひるがえる衣の裾などはこの時代の壁画に共通して見られる特徴である。なお、手に持っているのは食べ物を入れて持ち運ぶ漆塗りの容器(ビルマ語スンオウ)である。
Associated Information in Foreign Language(s): Pagan no bukkyō hekiga, pl.249/ Śakra holding a rice-bowl/ Upali Thein(No.2121)
Outline of World Cultures (OWC)
Outline of Cultural Materials (OCM)

Photo Management Information

Management Name: 04_01_068_cm
Photographer: 井上隆雄
Photographer (Romanization): INOUE TAKAO